The TV Screen Debut of Mr. Bates vs the Post Office: Unveiling the Power of Small Talk, a Bike Rack, and Determined Effort

The TV Screen Debut of Mr. Bates vs the Post Office: Unveiling the Power of Small Talk, a Bike Rack, and Determined Effort

Alan Bates’s campaign against the Post Office⁢ over the Horizon scandal might never have got off the ground without a ⁣few moments of luck and the availability of Fenny ⁣Compton village hall in Warwickshire.

But ⁣the journey to bring the‌ story on to ITV for New Year as Mr Bates vs the Post ​Office was equally precarious and relied on a webinar, ‌a ​bike ‍rack and plenty more ‍village halls.

Nick Wallis had started covering the issue as a local BBC reporter ⁤after a Computer ‌Weekly investigation broke‌ the story in 2009, and had worked closely with Bates⁤ to⁤ get the news out to a wider audience.

As the​ campaign gathered momentum, he began working with David⁢ Godwin, a leading literary agent, to detail⁤ the scandal in a ⁤book. Yet after three years of trying⁢ to raise some⁤ interest from the large publishing houses, they were‌ at a loss.

By‌ this point, the story had been seeping into the public consciousness for some ​time. In 2015, Wallis had already helped⁤ prove the subpostmasters were telling the truth with the BBC’s​ Panorama team, and had detailed the high court battle in‍ 2019 ⁢where⁤ the campaigners ⁤forced ⁤the Post Office to admit the Horizon IT system was not,⁢ in fact, robust.

The first turning point came when another campaigning journalist, ‍Louise Tickle, invited Wallis to take part in a webinar ‍about ⁣law and⁤ justice during a Covid lockdown⁢ in 2021. It was chaired by Bath Publishing’s co-founder, David Chaplin.

Krupa Pattani ⁣as Sam and Amit Shah as Jas‌ in Mr Bates vs ​the Post Office. Photograph: ITV/REX/Shutterstock

He said: ​“Nick was only⁤ on for ‍a couple of minutes but the next day he rings up and he says, ‘I’ve got a book idea – you’re a publisher. I haven’t been able to get anybody else interested – do ‍you fancy it?’”

Chaplin, whose company specialised in legal publishing, had read about the scandal ⁤in Private⁢ Eye, and immediately grasped the story’s importance. “Despite being a‍ tiny legal publisher, we knew we had to take it on. ⁣It was just such ⁢an injustice,” he said.

The manuscript​ was delivered a few⁤ months later, after the court of ⁢appeal had​ overturned 47 convictions, but there was another hitch. “We had a barrage of legal letters from the people ⁢involved, both still ⁤working [at the Post Office] and some‌ who weren’t,” Chaplin said. “From all of the key characters.

“Our libel‌ lawyer, who’s brilliant, said that when the letters get shorter you know you’re winning, and they got shorter and shorter.”

Wallis said Bath Publishing had been “crucial”. “They have been marvellous,” he said.

Publication of ⁤The Great Post‍ Office Scandal ​was merely the first step – bookshops stocked the book in modest numbers, but Wallis had built up⁤ an army of​ subscribers to ‌his newsletter about ​the scandal, and 5% of book sales go to a ‍fund that supports victims and their families in hardship.

Chaplin said: “We started doing book-reading events around the country – renting⁤ village halls and ‌theatres. Nick would start talking…

2024-01-13 09:00:03
Original from www.theguardian.com
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