The New ‘Monuments Officers’ Prepare to Protect Art Amid War


FORT BELVOIR, Va. — The Army Reserve officers labored with brisk effectivity.

For a lot of the afternoon, that they had meticulously documented and punctiliously packed cultural treasures from the Smithsonia museum in Pinelandia — a rustic that would quickly be below siege. Their mission — to evacuate vital objects from the museum — was going effectively.

But then an aloof, lunch-preoccupied safety guard unintentionally put his foot by means of a treasured portray propped in opposition to a desk.

The room went silent. Then the museum’s assortment supervisor had a conniption. The officers had an issue.

“A failure of our forces to secure the artifacts while we were handling them,” Capt. Blake Ruehrwein, 40, of Rehoboth, Mass., stated afterward.

Thankfully for the officers, it was all solely a coaching train set in a fictional museum and nation. The mishap, which appeared a minimum of considerably intentional, would assist them study to take care of disaster and hold their heads on a swivel, instructors later stated.

In actuality, the trainees are 21 cultural professionals from with particular experience in the whole lot from African historical past to spatial computing. A handful are worldwide cultural property safety officers right here for the coaching and networking. The different 15 are a part of a cadre of teachers and humanities curators who’re being was Army Monuments Officers.

Their cost? Working in a army capability to determine and protect cultural treasures world wide which are threatened by battle, similar to the Monuments Men of World War II who recovered thousands and thousands of artifacts looted by the Nazis.

“Make no mistake,” stated Corine Wegener, the director of the Smithsonian Cultural Rescue Initiative, a companion within the 10-day coaching program. “These are all soldiers.”

At a commencement ceremony on Friday, after a yearslong bureaucratic delay, the category members are anticipated to cap off their formal appointment as a part of the primary new class of modern-day monuments women and men in a technology.

The ceremony comes after intensive coaching that features programs in first-aid and forensic documentation, emergency preparedness and the nuts and bolts of war-zone conservation — the best way to dry out, deal with and salvage broken objects.

“I’m both exhausted and energized,” stated Capt. Jessica Wagner, 34, of St. Louis, Mich., who specializes, not coincidentally, in heritage preservation and repatriation of cultural property.

On Wednesday, within the Smithsonia, with the stress on and the clock ticking, officers developed an in depth cataloging system to log the objects. One officer fastidiously positioned foam inside a ceramic merchandise to cushion it, then wrapped it in tissue paper and capped it. Lacking further paper, he used a field cutter to form a bit of cardboard that he might wrap across the object.

Across the room, an anxious assortment supervisor shouted at one other officer making an attempt to safe a portray: “We can’t put tape on this!”

Once they’re within the discipline, the officers is not going to be immediately searching down lacking artworks, however will as a substitute function a set of scholarly liaisons for army commanders and the native authorities. They could advise in opposition to an airstrike on a sure web site, for example, or recommend an try to forestall looting in an space the place floor preventing has begun.

“The capability that these new Monument Men and Women are bringing is a better understanding of the environment so commanders can apply resources in the right directions,” stated Col. Scott DeJesse, an Army Reserve officer who is among the leaders of the trouble.

“If you want to build stronger partnerships, this is how you do it,” he added. “Through trust, through showing we care about you.”

The specialists are to be a part of the Army Civil Affairs and Psychological Operations Command, which has its headquarters at Fort Bragg, N.C. As reservists, they won’t be deployed full time, however will probably be connected to army items as wanted. That might entail working in conflict zones the place workforce members might come below hearth. Hence the coaching.

“The risks of putting myself in harm’s way to safeguard cultural heritage are worth it,” stated Captain Ruehrwein, an Air Force veteran who works in training and outreach on the Naval War College Museum in Newport, R.I. “I believe so strongly in the importance and value of the arts for everyone.”

The efforts recall these of the Monuments Men — 345 folks (principally males but in addition a number of dozen girls) who utilized their artwork experience abroad from 1943 to 1951. Together, they tracked down thousands and thousands of artworks, books and different valuables stolen by the Germans in wartime. Their tales had been recorded and relayed within the work of Robert M. Edsel and ultimately shaped the premise for a 2014 George Clooney film, “The Monuments Men.”

In 2019, the Smithsonian Institution and the Army Civil Affairs and Psychological Operations Command agreed to hitch forces to guard cultural property in battle zones and develop a coaching program for Army Reserve Civil Affairs Soldiers.

Training was supposed to start in 2020, however the pandemic performed an element in a hiring delay and forms slowed the method. During World War II, the Monuments Men had been troopers who had already enlisted and occurred to have the wanted specialised expertise. In this iteration of this system, the army, for the primary time, immediately commissioned civilian cultural heritage specialists into its ranks.

Another new class of specialists might quickly observe this one, Ms. Wegener stated.

It has been nearly 20 years since Ms. Wegener labored as an arts, monuments and archives officer in Baghdad as a part of a really small workforce. She knew the army wanted extra extremely skilled consultants in civil affairs. And fortunately, she stated, officers agreed.

“This, to me, is my dream come true,” she stated. “You don’t have to wait for something bad to happen. You now have this network that we created — and that they’re creating for themselves getting to know each other and training together. We’re helping provide this capability in the world.”

Six of the 21 folks within the present class of Army Monuments Officers, together with Captain Ruehrwein and Captain Wagner, are new immediately appointed officers. Nine different members had been already within the Army Reserve after they enrolled within the coaching, and have both transferred to command or are within the course of; the ultimate six are worldwide cultural property safety officers inside their nationwide militaries.

Captain Wagner has labored in training and public outreach for the a number of cultural establishments, together with most just lately the U.S. Naval War College Museum. Years in the past, in graduate college, she stated she frolicked researching these within the Monuments, Fine Arts, and Archives Unit from World War II for her dissertation.

“Would I be willing to do that?” she recalled asking herself.

In an electronic mail this week, after a day of coaching, she acknowledged that being in uniform nonetheless “feels a little out-of-body for me.” Building army habits like saluting, utilizing courtesy titles and taking off hats indoors has typically felt overseas. And Captain Wagner and her friends can even ultimately have to cross one of many Army’s bodily diagnostic checks.

But on this group, Captain Wagner stated, she has discovered her “people.”

“If you would have asked me five years ago if I would ever be in the U.S. Army, wearing a uniform, sitting in the Smithsonian Castle, surrounded by military soldiers from around the world, discussing how to best protect cultural heritage in conflict, I wouldn’t have believed it,” she stated. “But here we are.”

Graham Bowley contributed reporting.

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